Met Gala 2026 Best Looks: “Fashion Is Art” Edition

Beyoncé in Olivier Rousteing and Chopard.

Another year, another cascade of glamour at the Met Gala. On May 4, A-listers descended upon New York City’s Metropolitan Museum of Art for the “Costume Art” extravaganza, where bare skin gleamed, sequins shattered the light, and headpieces soared to architectural heights.

The enigmatic dress code—“Fashion Is Art”—invited bold interpretations centered on the human form. Celebrities delivered: from audacious nudity to sculpted silhouettes, the night’s visions were as diverse as they were daring.

Scroll on for our edit of the standout looks—the fearlessly exposed, the impeccably sleek, and every couture fever dream in between.

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Margot Robbie Channels Gothic Romance in Sheer Lace Minidress on Kimmel

Margot Robbie in sheer black lace Alexander McQueen minidress on Jimmy Kimmel Live
Renowned actress Margot Robbie has launched her Wuthering Heights promo tour ahead of the February premiere, channeling the film’s Gothic romance through dramatic Victorian silhouettes and sleek modern touches.

Stepping onto the Jimmy Kimmel Live! set, she wore a McQueen Spring 2026 lace little black minidress—high neckline, bodice cut-out, and billowing bell sleeves evoking Victorian romance with a decidedly modern edge.

Partnering with stylist Andrew Mukamal, Robbie completed the look with McQueen rosary-strappy stilettos, summery accessories, and classic black aviators.

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Doja Cat’s Molten-Gold Gucci Gown Steals the Show at LACMA Gala

Doja Cat poses in a shimmering, molten-gold Gucci gown with a plunging neckline and thigh-high slit at the 2025 LACMA Art+Film Gala
Dressed to impress, Doja Cat arrived at the 2025 LACMA Art+Film Gala ahead of a special performance. The star-studded evening — honoring artist Mary Corse and filmmaker Ryan Coogler — directs proceeds to LACMA’s push to center film within its curatorial programming and support the museum’s broader mission.

She toned down her usual theatrics for a molten-gold Gucci gown: plunging neckline, thigh-high slit, and Old Hollywood glamour softened by a playful ’80s curl. The shoes were a letdown, but a Jacob & Co. yellow-diamond necklace and matching high-jewelry earrings sealed the look.

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Jenna Ortega Dazzles in Grace Ling’s Spring 2026 Collection at the Academy Museum Gala

Jenna Ortega Wears Grace Ling’s Spring 2026 at Academy Gala

Jenna Ortega and stylist Enrique Melendez made a bold entrance at the 2025 Academy Museum Gala in Los Angeles, staying true to her iconic gothic-glam aesthetic. Ortega turned heads in a custom look inspired by Grace Ling’s Spring 2026 “Leaf Petal Couture” vision: a sculptural silver breastplate that embraced her torso and cascaded into a backless dress, paired with a chocolate-brown silk skirt that clung like a second skin. The ensemble was ethereal, sultry, and unmistakably Ortega.

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Giorgio Armani — Elegance Personified, 1934–2025

Black-and-white portrait of Giorgio Armani

Giorgio Armani — the maestro of modern elegance — has left the runway of life. Born in Piacenza and launching his label in 1975, he remade clothes into a language: clean lines, soft shoulders, and exquisite restraint that read as both power and poetry. He turned tailoring into sculpture and the suit into a signature … Read more

Maison Margiela Names Miley Cyrus Its First-Ever Muse

Maison Margiela unveils Miley Cyrus as its first celebrity ambassador
Proto: Paolo Roversi / Courtesy of Maison Margiela

Maison Margiela unveiled its Autumn/Winter 2025 campaign on Thursday, starring Miley Cyrus as the house’s first-ever celebrity ambassador. Marking a radical shift after four decades of eschewing star-powered endorsements, the iconic French maison introduces Cyrus as its inaugural muse. Captured by Paolo Roversi, the campaign presents Miley Cyrus in a striking series of black-and-white portraits, her figure veiled in layers of white paint.

“The American artist is captured in a new light, stripped-back and immersed in the core codes and archetypal expressions of the maison,” said the house. “Some images portray the artist in a state of undress, her body painted white in homage to the maison’s white-overpaint bianchetto technique introduced in 1989.”

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